Controversy Surrounds Accuracy of 'Tremembé' Series as Cristian Cravinhos Disputes Portrayal
'Tremembé' series faces dispute over factual accuracy as Cristian Cravinhos challenges the portrayal of his prison life and romantic relationship, with the screenwriter providing evidence in defense.
- • Cristian Cravinhos claims the 'Tremembé' series falsely portrays his prison life, including a disputed romantic relationship.
- • The series includes a controversial scene where Cravinhos requests a pair of panties during a sexual encounter.
- • Screenwriter Ullisses Campbell released evidence, such as a letter and photograph, supporting the show's depiction.
- • Campbell highlighted the importance of material evidence in controversial journalistic stories.
Key details
The Brazilian series 'Tremembé' has sparked controversy following accusations from Cristian Cravinhos, a convicted criminal depicted in the show, who claims that the series inaccurately portrays his time in prison. Cravinhos publicly stated that nearly all of the series' content regarding his prison life is false, particularly disputing a depicted romantic relationship with another inmate, Luka, a character played by João Pedro Mariano. One of the most contentious scenes shows Cravinhos asking for a pair of panties during a sexual encounter, which he denies happened.
In response, Ullisses Campbell, the series' screenwriter and the author of the books on which the show is based, defended the show's portrayal. Campbell presented material evidence to substantiate the controversial details, including a letter from Cravinhos himself to Duda, the inspiration for Luka's character, and a photograph of the panties in question. Campbell underscored the significance of tangible proof in journalism, especially for stories likely to provoke controversy, stating, "In journalism, a recorded testimony is not enough to publish a story, particularly when it is controversial. Often, it is necessary to present material proofs."
This dispute highlights the tensions between dramatization in entertainment and factual accuracy, especially in true crime-related productions, reflecting wider debates about ethical representation in media.